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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n Estuaries: Ways of Knowing, Zine Publication #2<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n Sonic Performativity – Writings & SoundTechs<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n Hinterlands, How to do Transdisciplinarity<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n Rethinking Belonging with Data Feminism<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n Utopia, Technology and Posthuman Subjectivity in Jeanette Winterson Fiction<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n Tune In, Fade Out: Signals from the Bijlmer<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n Defining a new area in textiles knowledge to scale physical fabric measurement required for virtual garment creation<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n Drifting Studio Practice<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n Expansion-Contraction<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"Reprodutopia<\/a> <\/div>\n \n\t\t \n\t\t
\n Designing Dialogue; meaningful engagement in the context of responsible innovation<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>