{"status":"ok","elements":"
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n Land Art in\/and the Anthropocene<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n Control Copy: Commodification of the Digital Artwork<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n National platform for ArtsSciences education<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n Commoning Practices in Postcapitalist Design<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n Beyond the Violet End of the Spectrum – Specter Vizualization in the Age of CCTV and Drones<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n In Search of Scents Lost – Reconstructing the Volatile Heritage of the Avant-garde<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n Of impersonal gaps and places of concerns<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n Catalyst<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n OILab – 4chan\/Wikipedia<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>
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\n \"\"<\/a> <\/div>\n \n\t\t \n\t\t
\n OILab \u2013 Open Intelligence Lab<\/a>\n <\/div>\n \n\t\t \n <\/div>\n<\/div>